Your archive is worth more than its storage bill.

AI companies license video, audio, and text to train their models. If you own a library of material, we can turn it into a new source of revenue, without selling the rights.

Who it's for How it works What qualifies Questions

Built for organizations sitting on years of material.

Why it matters

Most archives are never seen again after they're published. For AI training, original, well-documented material from real broadcasts, studios, and publishers is in short supply.

01TVR-01 · Broadcast
TV & radio stationsPrograms, news, and talk shows you produced
02DUB-02 · Audio + script
Dubbing & subtitling studiosAudio and scripts in multiple languages
03TRN-03 · Text pairs
Translation agenciesTranslated documents and translation memories
04PRS-04 · Print
Newspapers & magazinesBack issues and photo archives
05PUB-05 · Books
Book publishersTitles in non-English and regional languages
06STK-06 · Footage
Stock photo & video librariesUnused footage, outtakes, and B-roll
07AUD-07 · Audio
Music & audio librariesProduction music and sound effects
08EDU-08 · Lessons
Education & e-learningRecorded lessons, lectures, and exercises

How licensing works

  1. STEP 01 · INTAKE

    Tell us what you have

    A short conversation

    What the archive contains, its size, languages, the years it covers, and how it's stored.

  2. STEP 02 · RIGHTS

    Rights review

    Before anything is shared

    We confirm which material you fully own and can license. Buyers require a clear rights history, so this step protects you and them.

    • What you produced versus what you licensed from others
    • Talent and contributor releases
    • Any material that needs to be excluded
  3. STEP 03 · TERMS

    Agree on terms

    In writing

    We sign a representation agreement that sets out what we can offer, the permitted uses, and the revenue share. You keep ownership of everything.

  4. STEP 04 · PACKAGE

    Package and present

    We do the work

    We catalog the material, prepare samples and metadata, and present it to AI companies and data buyers.

  5. STEP 05 · PAYOUT

    Get paid

    Per deal

    Each license is signed with your approval. You receive your share of every deal, and the same material can often be licensed to more than one buyer.

You stay in control.

You keep ownership

Licensing gives a buyer permission to use material for training. It doesn't transfer your copyright.

You approve each deal

Nothing is licensed without your written sign-off on the buyer and the terms.

You choose what's in

Exclude any shows, years, or material you'd rather keep out.

What qualifies

Not every archive is a fit. Here is what buyers look for.

Strong candidates

MATCH · 04
  • Material you produced or commissioned and fully own
  • Large volumes: hundreds of hours of video or audio, or years of text
  • Non-English, regional, and other under-represented languages
  • Good technical quality, ideally with scripts, transcripts, or descriptions

Usually not a fit

FLAG · 03
  • Programs, films, or music you licensed from someone else
  • Material with unclear ownership or missing contributor releases
  • Content featuring children

Questions

How much is my archive worth?

It depends on volume, quality, language, uniqueness, and current buyer demand. We'll give you a realistic view after the rights review, before you sign anything.

Do I lose the rights to my content?

No. A license gives a buyer permission to use the material for the purposes agreed in the contract. You keep ownership and can keep using and selling your content as before.

What can buyers do with it?

Permitted uses are written into each license, typically training and evaluating AI models. Terms such as duration, exclusivity, and restrictions are agreed before signing.

Who are the buyers?

AI companies and data providers building models for video, speech, translation, and language. We'll tell you who a buyer is before you approve a deal.

What does it cost me?

Nothing up front. We earn a share of each deal, agreed in writing before any material is offered.

Our archive isn't organized. Is that a problem?

Not necessarily. Many archives are scattered across drives and tapes. We'll assess what's there and how much preparation it needs.

Find out what your archive could earn.

Tell us what you have. We'll reply within two business days with next steps.

Start the conversation